If you play a string instrument – be it a violin family instrument like what we sell at SHAR Music or an electric guitar, a harp, a European lute, what have you – at some point during your musical practice you’ve surely wondered to yourself: “just where,…
Latest Articles
"What is the Earliest Bowed String Instrument?" and Other Tricky Questions
Friday, July 09, 2021Writing Stories in Music
Monday, February 17, 2020SHAR is collaborating with black artists in the string instrument community for Black History Month! Every Monday in February, expect a new blog post featuring black artists' first-hand perspective of various aspects of the music industry. This week,…
Fanny: The Overlooked Mendelssohn
Monday, March 04, 2019March is Women's History Month, so SHAR wants to take this opportunity to celebrate female composers - some that you've heard of, and perhaps some that you have not! This week, we're introducing you to Fanny Mendelssohn, a brilliant, talented, and…
The German Violin-Making Tradition - An Intro
Monday, August 21, 2017While Cremona, Italy, is generally accepted as the birthplace of the violin, instruments by the great Cremonese makers quickly found themselves in the hands of skilled German craftsmen, who happened to live in a geographic and economic sweet-spot for…
String Players Should Know About The French Violin Making Tradition!
Wednesday, August 16, 2017The history of the violin is a bit like the evolution of a migratory species. It didn't come about all in one place or all at one time; various factors influenced it's changes over centuries, and in many ways we are still writing the violin's history…
The Ultimate Guide to Composer Sanity and Aesthetic Taste
Monday, April 29, 2013Ever wondered just how crazy and/or avant garde your favorite composer was? SHAR Apprentices James Engman and Josephine Llorente have put together this handy graph! It displays, on X and Y axes, the relative sanity and aesthetic taste of your favorite…
Dvorak's String Quartet No. 12: Is There Anything American About It?
Wednesday, April 25, 2012In this week's letter to the violinist Alberta Barnes, I try to figure out what's so American about Dvořák's String Quartet No. 12.