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Alberta Barnes

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What Violin Concerto Are You?

Friday, February 24, 2012

If you were transformed into a violin concerto, which one would you be? I admit that I have certainly given thought to this. If you have, check out this quiz that I wrote:

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Playing and Injury

Wednesday, February 22, 2012

Have you struggled with a playing-related injury? Or if not, have you made a commitment to injury prevention? Read on for some ideas on how to deal with or prevent injury from playing.

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For Parents: Why Music?

Friday, February 17, 2012

Playing a string instrument is a tremendous investment for both the student and the teacher. Money, time, energy ... so is it worth it? Based on my own experience, I believe that this sacrifice is one that reaps endless rewards.

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Happy Valentine’s Day: A Sad Love Story from Music History

Friday, February 10, 2012

In honor of Valentine's Day I thought it would be appropriate to write about a great musical love story. Too much is said about Brahms and Clara, so I thought I'd find another couple to write about. Below please enjoy a touching love story from music…

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Happy Valentine's Day: Romance Gone Wrong!

Thursday, February 09, 2012

Valentine's Day is approaching, so let's take this occasion to revisit the violin's passionate side. Many would agree that it can be captivating to hear sweet violin music while you wine and dine, but, as delightful as this may be, the violin may…

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Do You Need a Loop or a Ball End for Your E-string? What is a removable Ball?

Friday, February 03, 2012

This is a frequent question that those of us in the Call Center need to ask customers as we try to accurately place your orders. This can be confusing, especially for parents who haven’t yet had the opportunity to install strings on their student’s…

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A Meditation on the Sibelius Violin Concerto

Friday, January 27, 2012
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The Future of Classical Music: To Divulge the Beauty

Friday, January 20, 2012
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Beethoven's Overlooked Masterpiece: the "Missa Solemnis"

Friday, December 23, 2011

SHAR Apprentice and violinist Alberta Barnes makes the case for one of Beethoven's lesser-known masterpieces.

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